A very decorative large pair of engravings of Apollo,

Circa 1820.

Why we love them

Rare large size, exquisitely engraved by Dante Mazzocchi Dalle Biave (1798–1853).

The Apollino or Medici Apollo is a Roman copy of a Hellenistic sculpture of the adolescent god Apollo of the Apollo Lykeios type. It is now in the Uffizi, Florence.

Found complete in Rome in the 17th century, though its exact early provenance is obscure, it was originally in the Borghese collection, until it was moved to the Medici collection at Villa Medici, where it was recorded in 1704. Unlike many ancient sculptures in the Medici collection, it was not moved to Florence by Cosimo III de' Medici, remaining in Rome until it was removed to accompany the Medici Niobe Group in 1769-70. Though it has since declined in reputation, it retained its praise through the 18th century, as one of the most copied Roman sculptures. It was seen in the Tribuna of the Uffizi by the English poet Percy Bysshe Shelley, who commented:

It is difficult to conceive anything more delicately beautiful than the Ganymede; but the spirit-like lightness, the softness, the flowing perfection of [the Apollino's forms, surpass it. The countenance, though exquisitely lovely and gentle, is not divine. There is a womanish vivacity of winning yet passive happiness, and yet a boyish inexperience exceedingly delightful. Through the limbs there seems to flow a spirit of life which gives them lightness. Nothing can be more perfectly lovely than the legs, and the union of the feet with the ankles, and the fading away of the lines of the feet to the delicate extremities. It is like a spirit even in dreams. The neck is long yet full, and sustains the head with its profuse and knotted hair as if it needed no sustaining.