Anyone who thinks that there is no longer anything to say on the subject of Sviatoslav Richter’s discography is wrong. For sixty years these recordings, which were made by Deutsche Grammophon at the Tours and Lucerne Festivals in 1965, have slumbered in the Yellow Label’s archives. Carefully restored by Emil Berliner Studios, they are being released now for the very first time.
 
Like many other artists, Richter felt that he could play more freely and give better performances in the concert hall rather than in the studio. These tremendous recordings reveal the pianist at the height of his powers. Indeed, they evoke Van Cliburn's comment: ‘That is the most powerful piano playing I have ever heard’. Richter's interpretations of Beethoven are phenomenal.
 
The performances of the Sonatas Nos. 18, 27, 28 and 31 show a strikingly modern approach that never shies away from taking risks to express the music in its furthest extreme. Pianist Elisabeth Leonskaja, a confidante of Richter, was enthusiastic about the artistic freedom, technical brilliance and love of the music conveyed in these recordings.
 
The album is available as a CD and double LP and includes a recent interview with Elisabeth Leonskaja, an essay by Jed Distler and editorial notes by Markus Kettner. Numerous photographs, some previously unpublished, complete the edition.