This handmade, wheel thrown vase was made by Keith Hershberger of Philadelphia, Pennsylvania.

It has a Tyrannosaurus Rex 'T. Rex' design that has been fired into the glaze.

This mug is approximately 4.5" x 4.5" and was fired to over 2000 degrees F. It is food, microwave and dishwasher safe.

*Note: the piece with the 22K gold is food safe but should NOT be used in the microwave or dishwasher*

Due to its handmade nature, the piece you receive will be similar, but not identical to the one pictured.

I make wheel thrown pottery that is created with care, and meant to be used. My work is electric or wood-fired and decorated with slips and glazes using brushwork, stencils, screen-printing and decal image transfer. I create the images I use on my work in Photoshop and use the digital image to create physical stencils and silkscreens I use with colored slips, and to print laser decals for image transfer.

In a world that is too fast, and often too dark, my goal is to make space in the day for beauty.  Using a handmade object is like having a conversation with the maker, and I like the idea that I can help create, and even share in, the small moments in the day when we allow ourselves to sit down for a moment and have a cup of coffee, or a bowl of soup. 

In the spring of 2023, Stefani Threet approached me with the idea of creating a new body of work to show at Ceramic Concept. These new pieces are the result of that conversation. It pulls together pieces of many different ideas, processes and media I've worked with all the way back to college including painting, printmaking, mixed media collage and photography, and combines them in new ways with other techniques I had never tried before.  

One of the earliest things that shaped my current aesthetic was the outdoor message board at the university in China where I studied for a term in the early 90's. Messages were written in ink on rice paper, and glued on top of previous messages. As they were weathered by the sun, wind and rain, the ink bled and the paper peeled and became transparent in places, both exposing and hiding the layers underneath. The fragments of text lost their meaning as language, becoming pattern and shape. 

Many of the pots in this show are coated with terra sigillata; a clay slip made by letting clay settle in water, then siphoning off only the finest particles that float in the middle of the mix. This creates a thin white slip with a soft sheen that covers over my dark clay, while still allowing the surface of the clay, and some its color, to show through. I created divisions on the pots like windows that reveal some pieces of what's beneath the surface and obscure others. I filled them with silk-screened and painted underglaze, and with decal images of patterns and textures.

Find more of Keith's work here.